One sun-dappled Sunday in Post-Impressionist Paris, the first Neo-Impressionist artist―working under a parasol made of points of light, among several shading an idle parade of blasé bourgeoisie, passing a Sabbath of pleasureless leisure on an island in a Seine made of points of light―invents Pointillism.
“Some say they see poetry in my paintings; I see only science.”
In a yellow wood, a pencil pusher, horning in to push pencils, comes to a fork in the road, where a Pulitzer poet is standing on the horns of a dilemma.